Official online store. REL’s T9i sits at the top of the Ti range and alike 99% of REL’s subwoofers is an infinite baffle design or closed non-ported box, making the unit very fast and expressive. First Listen: Goldmund PH3.8 NEXTGEN Phonostage, Rocky Mountain Audio Fest 2019: Loudspeakers, 2019 Editors’ Choice Awards: Loudspeakers $1,500 - $3,000, 2019 Editors’ Choice Awards: Turntables $400-$4,000, 2019 Editors' Choice Awards: Loudspeakers $100,000 and up, 2018 Editors' Choice Awards: Disc Players $2,000 - $10,000. Backing down the gain softens the effect, but also robs the HT/1205 of some of its visceral edge when the action starts. The Series S reminded him not only of the importance of both a lighter/stiffer driver but of the issue of self-quieting, which Hunter describes as design and engineering “intended to produce a cone/driver that starts and stops well and immediately quiets down and does not continue ringing.” Basically, no overshoot. This means you get the ideal levels for both hi-fi and AV, without the need to constantly change the settings. The low 84dB sensitivity of the sealed-box ATC, for example, required bringing up the output slightly, while the deeper extension and superior efficiency of the ported B&W necessitated a lower crossover setting and a slight reduction in output. Gain Control Range:80 dB. 10" 200 Watt Subwoofer Balance Point - T/7i, The Perfect Blend T/7i is, without reservation, one of the most-balanced RELs of all time. REL products are not traditional subwoofers, but true Sub-Bass Systems. All rights reserved. This icon signifies that stock is very low on this product. The T7i is, without reservation, one of the most balanced REL's of all time. Not quite the full bottom octave (20Hz) but true sub-bass territory, nonetheless, and an achievement for such a small sub. As described in all REL Acoustics manuals, it is best to setup a REL two channel before proceeding to a theatre setup. Product review: REL T series subs. REL prefers to refine, to build generationally upon a solid foundation while searching relentlessly for every possible way to legitimately improve upon our past performance. Home theater is designed to roll all the speakers off below 80hz. A REL is designed to augment the performance of FULL RANGE speaker systems in order to provide, in certain cases, linear response below 15Hz. The figures shown are an illustration based on the cost of goods. In order to achieve perfect balance, a sub must weigh speed against heft, while ensuring true extension-depth-and do so in a physically harmonious package. As REL woofer-in-chief John Hunter described to me, the new T lineup benefitted from the development of the Series S line. Take advantage of that. Total Amount Payable Includes Deposit Amount. We get hundreds of calls and emails each month at REL, many of them inquiring about which REL would be best for their application (love those, keep them coming). These all have varying amounts of bass extension, roll-off characteristics, and sensitivity—differences that were easily compensated for with the T7i crossover and output settings. As many enthusiasts are aware, REL makes some of the classiest subwoofers in the high end. I ran the T7i with a range of compact loudspeakers that included the B&W 805 D3, Revel Concerta2 M16, Elac Uni-Fi UB5 (reviews forthcoming) plus my own ATC SCM20SL pro-monitor. Famously, REL subs do not use high-pass filters—the main speaker’s performance envelope will remain unaltered. A REL is designed to augment the performance of “full range” speaker systems, to provide linear response down to below 12 Hz (Studio III, -6 dB down at 9 Hz). I have asked REL about adding a T5i to my T7i, and they said this should perfectly work: to add a 2nd smaller sub to complement a single bigger one, as long as you stay within the same model range. : High Level even for home Theater.1 surround s easy to overlook—and know! 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